Tag Archives: spirit world

Blood on Holy Ground due out Nov 1!

Coming November 1st!

Blood on Holy Ground

the new Miranda Lamden Mystery!

 

Blood on Holy Ground, the 2nd volume in the Miranda Lamden Mysteries, is due to be released on November 1, 2017, in both Kindle and paperback formats, on Amazon.com! Mark your calendars!

Here’s a brief summary:

Blood on Holy Ground, the 2nd gothic mystery in the Miranda Lamden Mysteries series, follows Miranda to the convent of Monte di Angeles, where she plans a quiet summer’s research into an old Native American legend. Instead, almost before she can uncrate her cats, the killings begin, and she finds herself caught up in bloody murders, stalked by a deranged killer, and haunted by evil dreams. Rolling foothills blessed with a deep and almost conscious peace are suddenly overwhelmed by one vicious atrocity after another—striking at the people as well as the land itself.

Miranda is a professor of religion at a small Appalachian college, an expert on paranormal phenomena, and a woman gifted with spiritual vision. Free for the summer, she abandons her significant other, artist Jack Crispen, and sets out for the Tennessee convent at the invitation of her old friend Catherine, a sister there. Catherine settles her into a forest hermitage close to the tiny Conicoke Indian reservation adjoining convent land. Miranda knows that unless she can persuade the Conicoke Grandmothers to trust her enough to share their traditions, her research will founder, and the heart of the legend will never open to her, since her only other sources are a few heavily-edited church accounts.

When Jack arrives for a visit, they stumble onto the first murder victim at the base of the spill from the convent’s dump, and the killer’s bitter, twisted monologues join Miranda’s narrative. After their first discovery, Miranda and Jack seem doomed to come across more and more evidence of the killer’s crimes, goading the murderer’s malice into raging paranoia and convincing him that Miranda is out to destroy him. Abandoning his other targets, he stalks her with obsessive fury . . . with more than just murder on his mind. The Conicoke Grandmothers draw Miranda into their circle, in hopes that their combined seeing may show them a way to stop this monster. This powerful new connection immerses her in a flood of visions from the spirits of the land, as well as from the killer’s victims.

The murderer finds himself ensnared by his own evil when his brutal assault on Miranda miscarries, leaving him to prowl the forest wounded and delusional, but lethal as a cornered viper. His ruthless violence and the powers roused by its toxic presence come together in a raging vortex that nearly destroys everyone in its final combustion. Only the Grandmothers can guide Miranda and Jack into visions powerful enough to escape the firestorm unleashed by their relentless enemy.

 

 

 

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This Madness of the Heart out in e-book and paperback!

“This Madness of the Heart” out in e-book and paperback!

The paperback 2nd edition of  Madness is now available in the CreateSpace Store, and on Amazon! The Kindle format is also live on Amazon.

 

Here are some of the reviews coming in:

 

Midwest Book Review, Diane Donovan, Editor and Senior Reviewer

“Evangelical religion, supernatural forces, and romance seldom collide under a single cover, but This Madness of the Heart combines all three and more in a gripping piece that holds the rare ability to grasp and attract reader attention from more than one direction . . . Mood and setting are exquisitely placed throughout the story . . . the plot moves deftly with the skill of a thriller, the stealth of a cat, and the fine-tuned precision of personalities well developed.

“The result is a blend of supernatural thriller, romance, and mystery that will thoroughly engross anyone looking to break free of genre reads with a powerful journey through competing spiritual perspectives.”

IndieReader Review: 4 1/2 stars

“An adventurous and richly drawn mystery, with the age-old primal conflict between love and hate at its core. Vigorous and lively, engaging from beginning to end, the lyrical poetry of Francisco’s writing carries just enough supernatural spookiness to add a delicious chill!

While Jarboe fits many of the nastiest stereotypes of the fundamentalist preacher, others – particularly his retired predecessor, Elmus Rooksby – show themselves as models of warmth, generous love, and human kindness.

Can Professor Miranda Lamden untangle the threads of a crime involving an old family curse, a secret religious fellowship, a business partnership gone sour, and family relationships embittered at their roots before it’s too late?”

Self Publishing Review

“Francisco is an engaging writer, a fun narrative voice . . . great at establishing setting and individual characters. The hints of paranormal phenomena are intriguing throughout . . . The mood combines gothic with the present day, giving it a feeling of “True Detective” (first season), in which backwoods religion and real supernatural phenomena collide – a world where anything can happen. Professor and paranormal investigator Miranda Lamden is an exciting basis for a series . . . the rock through it all.”    

Kathleen Eagle, New York Times Bestselling author of Sunrise Song:

This Madness of the Heart is a wild ride through the dark hills of eastern Kentucky with Miranda Lamden, a professor of religion who spends her spare time studying arcane spiritual rituals–if not participating in them herself. Francisco fields an engaging cast of characters, and throughout she weaves a compelling pattern spun of the Appalachian wilderness and its people. The plot twists kept me guessing, all the way to the very satisfying ending. Fans of Joyce Carol Oates and Nevada Barr should relish this new series, and I look forward to more–the sooner the better!”

Nancy McKenzie, award-winning author of Queen of Camelot:

“Kudos to C. L. Francisco for an absorbing read and an original thriller, with intriguing characters and hair-raising plot twists (protagonist Miranda Lamden is solid gold)! This Madness of the Heart explores the genesis of hate and the power of forgiveness in a small college town in eastern Kentucky’s hill-country, where a haunting spirituality–both Christian and pagan–drives this fast-flowing mystery to an electrifying close. But beware: pick it up and you won’t be able to put it down again—I couldn’t!”

Gail Godwin, author of Evenings at Five

“Blair Yeatts can certainly write!”

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Jane Reads Blogspot:

“This Madness of the Heart is amazing . . . I haven’t read such a good gothic mystery in ages! I was intrigued from the beginning, and hooked from the first chapter. Even though there are many twists and turns in the plot, each time, I thought, “I did not see that coming!”

“I highly recommend This Madness of the Heart to all fans of gothic mystery and suspense—and particularly to fans of Barbara Michaels and Sharyn McCrumb.

“Five out of five stars!” (kitties)

 

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Gothic Lit: Is it religious?

Someone recently asked me if I thought there were any ties between religion/mysticism and gothic lit.

It’s an intriguing question! But I’d say there are virtually no ties between religion/mysticism/spirituality and gothic lit—at least not the friendly sort. But let’s define some terms. Any decent professor would do the same. These are my own, BTW, cobbled together off the top of my head.

The Ambrosian Rite
  • Religion: an organized body of belief about the ultimate meaning of life, often involving religious professionals (priests or the like). Although a religion may also be a worldview like humanism or atheism that denies the existence of Absolute Being, when I speak of religion here I’m assuming belief in deity.
Giovanni Bellini, St. Francis in Ecstasy
  • Mysticism: a worldview that believes human beings can and do experience union with Absolute Being. A mystic is someone who enjoys or seeks this union. Since mysticism is a life choice with serious spiritual discipline, it doesn’t easily lend itself to gothic lit. (Can you imagine a gothic novel about Saint Francis?)
Mexican Deer Dance
  • Spirituality: personal/individual search for and experience of Absolute Being, including ritual practices. Spirituality is often part of religion.

Clear as mud?

David Hume and Adam Smith

Gothic lit has its roots in a backlash against the Age of Reason during the 18th-19thcenturies, when irrational, passionate, and supernatural aspects of human life began to explode into popular fiction. Gothic lit has gone in and out of vogue over the years since then, and today is often divided into horror and romance. Its most obvious elements are endangered females, villainous tyrants, “gothic” architecture/haunted ruins, paranormal phenomena, a sense of dread, and melodrama. Want more? The Internet will satisfy your every need.

I said relations between religion/spirituality and gothic lit aren’t friendly, because their purposes are at odds. A religion seeks to preserve its beliefs and institutional structure, and sometimes grow through missionary activity. Religions don’t take criticism or ridicule kindly, nor do they appreciate literature that extols what is to them sin and evil. Spirituality, while individual and personal, expresses the deepest yearnings of human souls—and human beings don’t like having their deepest experience cheapened and belittled, or questioned, either. Not that gothic lit inevitably does any of these things, but since it’s deeply rooted in anti-establishment (ie, anti-organized-religion) themes, it often does.

Bela Lugosi as Dracula

Take the paranormal—visions, psychic powers, the occult, vampires, etc. Look them up in any thesaurus and you’ll find them equated with devilry and black arts. It may not be PC, but religions like Christianity, Judaism, and Islam (which make up much of Western religion) tend to consider the paranormal evil. Let us never forget the Burning Times. Yet gothic lit often relies on the occult both for its villains and heroes. To make matters worse, the villains (and heroes) are often clerics who have fallen into unspeakable evil—which religious institutions don’t like to admit happens, and certainly don’t want romanticized where it does. But since an essential part of gothic lit’s appeal is playing off cultural taboos, institutional anathemas are often just good press.

In short, while gothic lit may be full of possibly “spiritual” themes and entities, it’s usually neither religious nor spiritual. Notice I say “usually.” There are always exceptions.

Here’s the problem: good, evil, right, wrong, and sin are finally judgments we make from behind a screen of invisible cultural and personal preconceptions—Christian, Vodun, or Atheist. Human beings can’t help it. Please don’t think I’m saying here that everything is relative and anything goes; check out the United Nations Declaration of Human Rights for my position on that! No, I’m talking about how we pronounce judgment on everything that is Other.

Which brings me to the heart of the matter: gothic lit and spirituality (as opposed to religion) don’t have to be antagonistic. Yes, vampires are evil. But does that mean that spirituality isn’t part of a vampire’s existence? Take Robin McKinley’s Sunshine, for example. Can’t we as human beings hold ideas in our minds “as if,” without passing a priori judgment?

I didn’t realize that I was writing a gothic mystery when I wrote This Madness of the Heart because I’d bought into cultural stereotypes that disparage “gothic” fiction as something vaguely nasty and predictable. When I wrote Madness, I wrote what I knew, and what I know is spirituality opening up unexpectedly in the midst of everyday reality. I wrote about fear, and violence, and bigotry, and hate, all meeting along borderlands of spiritual reality . . . and discovered I’d stepped into “gothic” space.

Mea culpa. I have no excuse. No dewy-eyed fainting damsels, no emotional excesses, no human sacrifices. Just fiction that overlaps action and drama with spiritual vision. Gothic lit.

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*An earlier version of this post was written by Blair Yeatts for http://www.cerebralwriter.com/blog

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